A scrap left over from making the keyboard is sewn between two pieces of black fabric so that I can test what threads and quilting motifs will work best before committing them to the actual quilt. |
Tips, Thoughts and Techniques:
Last week I asked the question "How would you quilt Tickling the Ivories?" A big thank you to everyone who responded. You gave me some new directions to contemplate. Ultimately, I decided there is nothing like test driving ideas to see what both looks and feels right. What is the difference between looking and feeling right? For me the difference is not just mind (judging the work using the principles of art) and my personal intuitive sense, but how the it feels as I lay down the quilting. Is my body relaxed? Does the motif flow naturally? Is the thread giving me conniptions, breaking repeatedly? If there is any tension or thread malfunction, then I take the hint and look for a new solution. What I am looking for is a marrying of aesthetics and the energy that comes from a natural flow.
A close up of the wiggly lines and notes used to quilt the background. |
A close up to show the difference between satin stitching and stitch in the ditch between the keys. |
1) Tickling the Ivories - Due March 15th
Work on quilting the remainder of the piece - Done!
If you look closely at the upper right section of the keyboard you can see the difference the satin stitch makes there. The keys are more distinct and there is a hint of a shadow. |
2) Leah Day projects.
a) Baste the face, torso and arms to Express Your Love II. - On hold until the quilts with deadlines are completed.
b) Do Leah Day's Free Motion Quilting lesson. - Done!
This week's motif was Wiggly Pasta. What can I say? My pasta isn't that wiggly. It is more of a matrix with horseshoe ends. I was thinking that this motif would be fun to embellish with beads either at the crossings or in the openings. It could be used for hairnets, fishnets, or even fishnet stockings. :)
I have nothing to show, because this week the only assignment was to watch a 45 minute video of an interview with Claudine Hellmuth. The takeaway for me from this interview is that the best way to develop your voice is to understand what you are passionate about and what YOU (emphasis on the you) find aesthetically pleasing.
4) Tumbling Blocks I (Due April 30) - Continue piecing the quilt - On hold until Tickling the Ivories is at the hand stitching/finishing phase.
5) Little Lake Butte des Morts in Fall (Due August 3) - a commissioned quilt - On hold until quilts with earlier deadlines are completed.
Start piecing the quilt.
Tomorrow is the first day of March and Tickling the Ivories must have its finished, formal portrait done by March 15th. Guess we all know where I will be focusing next week. :)
1) Tickling the Ivories - Due March 15th
a) Finish the quilting.
b) Wash, block and square up the quilt.
c) Make the binding and sleeve.
d) Attach the binding.
e) Photograph the quilt.
f) Make the label
g) Attach the sleeve and label.
2) Leah Day projects.
a) Baste the face, torso and arms to Express Your Love II. - On hold until the quilts with deadlines are completed.
b) Do Leah Day's Free Motion Quilting lesson.
3) LifeBook 2014 - Do the assignments.
4) Tumbling Blocks I (Due April 30) - Continue piecing the quilt - On hold until Tickling the Ivories is at the hand stitching/finishing phase.
5) Little Lake Butte des Morts in Fall (Due August 3) - a commissioned quilt - On hold until quilts with earlier deadlines are completed.
Start piecing the quilt.
I am now linking up to two blogs on Friday's. The first is Leah Day's Free Motion Quilting Project and the second is Nina Marie's Off the Wall Fridays.