Quilting Along with Leah Day - Week 35

Although Leah Day designed the pattern, Goldilocks to suggest tendrils of hair, I used it in my grandniece's quilt to suggest the tidal patterns on sand. So, when Goldilocks became our Week 35 assignment and I had plans for a quilt with a working title of Shell Collection, I knew I would work up a section of beach.

Front Side of Goldilocks Sample
to be used as a section of beach in
Shell Collection

I found Goldilocks rather straightforward to execute. I can now create flowing lines and stippling with ease. My only hangup was figuring out how many times to echo a line and where to place the next pod of stippling. In retrospect I might have a preferred a few more echoing lines and a few less stipple pods on this piece.

You may find it easier to view the Goldilocks pattern on the backside. However, since I matched the front thread on the back, the contrast between the cream colored backing thread and white backing muslin isn't that large. The backing is a solid color therefore there is no distracting pattern on the fabric the way there is on the front.

Backside of Goldilocks Sample

This was my first time using Quilter's Dream Polyester Batting. I've been using Hobbs 80/20 for years. It helps to preshrink Hobbs 80/20. Whether it is the batting or my new washing machine, preshrinking my Hobbs 80/20 batts has been less than satisfactory. Instead of shrinking and thickening the batt, it tends to stretch and have areas of sparsity. Quilter's Dream doesn't require and actually discourages preshrinking. It does quilt up nicely. However, I noticed some of the poof disappeared when I ironed my sample. The final test will be to see how it handles the soak and blocking phase.

Quilting Along with Leah Day - Week 28

Detail from Seagulls on Parade

Seagulls on Parade
Based on a Pattern by Linda Worland
Created by Gwyned Trefethen

Why do I seem destined to forget that less is more? Linda Worland designed a relatively simple paper pieced pattern of 5 seagulls on sand with the ocean in the background. It worked out to 4" H x 18 W" as designed. There was no border. I doubled the size of the blocks, multiplied the number of rows by 5, added a 3 strip border and modified the design to cope with a shortage of the water fabric.

Parallel Lines

I could have done an all over stipple as the quilting design and it would have been just fine. However, that just isn't my style. Instead I invented an echo series of feathers for the seagulls in a pearlescent white, quilted Leah Day's Goldilock's design in the sand with yellow/beige variegated thread and used another Leah Day design for the blue green background. This in a blue, green and purple variegated thread. Thank goodness for all the practice I have been doing travel stitching and learning how to navigate my way around motifs or in odd shaped sections. It really came in handy.

Now I was faced with how to quilt the borders? When I was designing the border I tried out a solid black border as well as a beach themed fabric border. Neither worked. The three strip border worked best for the quilt. However, now that it is time to quilt it the high contrast of value and solid versus pattern was giving me conniptions. Leah must have sensed my dilemma because her very next assignment addressed my question.

Cartoon Tree

The assignment for Week 28 was to audition several quilting pattern layouts for a quilt top. In the past I have researched what pattern to use. I have tested my preferred pattern on a practice piece. I have never actually sat down to draft multiple patterns and options to get a sense of how they would look beside each other. 

I drew out the piecing diagram of the lower left corner of the border and included a small section of the lower left block. I knew I wanted to use the same quilting pattern in the beach fabric that I had already used - Goldilocks. I also drew in the pattern I used for the blue and green background fabric. The only pattern I was uncertain of was what to choose for the black fabric.

First, I tried the simplest pattern I could think of - parallel lines. My hunch was to set them 1/4" apart. This would certainly make life easy. However, my attempts at stitching in this way often results in the channels looking pushed in opposing directions. 

Second, I wanted to see what would happen if the pattern more closely resembled the other pattern in the border and had a similar density. Cartoon Tree fit the bill. It also allowed the beach pattern to run horizontally and the quilting pattern in the black to run vertically. However, it just looks too jumbled to me.

Scallop Shells with Micro Stippling

Is less really more? My third and final option was to quilt scallop shell motifs into the black strips and surround them with micro stippling. What was I thinking? This is definitely the most technically difficult option. Thanks to working with Leah for 28 weeks I have the skill set to do it. I also know it will take me several weeks of work. It sure is tempting though.