Week in Review 2014 - 07/04

Thread painted fall leaves
before being added to
Little Lake Butte des
Morts in Fall.

Tips, Thoughts and Techniques:

Happy Independence Day to my American readers and happy Friday to the rest of you. What a powerful word independence is. As a grandmother of five under the age of 7 I have watched all but the youngest become independent, at least in their ability to choose what they will or will not wear or say good-bye to diapers. In other words independence can be relative, because all my grandchildren are still dependent on their parents to provide them with food, shelter, transportation and affection. I have no doubt that for now my grandchildren feel more independent than they are in actuality. I feel pretty independent myself as I create my artwork. I can't recall when was the last time I used a pattern that I didn't tweak to make a quilt. Even when I practice FMQ motifs designed by others I can't resist seeing what happens if I do this or that to the original design. This week I am over the top excited about how I chose to create thread painted branches and leaves for my commission quilt. Was it an independent idea? Not really. Did I follow someone else's method? I wouldn't say so. I simply borrowed an idea here another there and then took the plunge. 


1) Little Lake Butte des Morts in Fall (Due August 3) 

a) Finish attaching the two tree appliqués - Done!
b) Start adding the details such as the cattails, branches and leaves. - Done!

I expect I will get some questions on how I made the fall leaves and branches. I'll do my best to guess what you might ask and answer it here:

See http://theboredzombie.com/project/thread-painting-a-beginners-tutorial created by Susan Owenby for basic materials and instruction.

I used a pale green tulle with the Solvy that was recommended. I did NOT use Sulky thread. I prefer to use thread from Superior's King Tut series. These are ALL variegated 40 wt. cotton. When I didn't have the right color Superior thread I use Marathon's polyester and/or rayon thread. The advantage with the Marathon thread is that you can build up the thread more without breaking and it has a wonderful sheen.

I marked just the basic lines on the Solvy for where I wanted the branches and approximately where I would change colors for the leaves. From there I just winged it.

There isn't much difference from FMQ to thread painting. I use only a straight stitch that isn't engaged, since I drop my feed dogs. Most teachers recommend using a zig zag, but I find the straight stitch more intuitive for me. A good YouTube tutorial for watching how to thread paint was created by Nancy Prince. It is: http://www.nancyprince.com/First_Flowers_Workshop.html

My final step will be to attach the thread painting motifs to my quilt. I will do that stitching them to quilt  with a bit more thread. At least that is plan.

Open Leaf with Spiral
This week's FMQ motif found at
the Inbox Jaunt, but modified by
yours truly.

2) Wild Apple 12" x 12" Opportunity - (Due August 15)

a) Mat and frame the work. - Not yet.

3) Free motion quilting practice: - Done!

Lori Kennedy, author of the Inbox Jaunt tends to design quilting motifs that work well in sashings, because they are linear or in an open block, because they are pictorial. I prefer FMQ that doesn't require pre-marking and can fill any shape. This week I played with Lori's Open Leaf Spiral to see if I could break away from the stacked leaves look. If you look at the left side of my work you can see I started to stack the leaves to get the "feel" of the basic leaf and going from left to right and back again. After that I went free form. :)

4) LifeBook 2014 - Do the assignments. - Done!

I have nothing to share here since the assignment was to watch a video interview. 


I am off to celebrate Independence Day with good friends, good food and good weather! Then I will buckle down again next week and tackle some of the following projects.

1) Little Lake Butte des Morts in Fall (Due August 3) 

a) Start adding the details such as the cattails, branches and leaves. 
b) Block and square up the quilt.
c) Start facing the quilt.

2) Wild Apple 12" x 12" Opportunity - (Due August 15)

a) Mat and frame the work.

3) Free motion quilting practice.

4) LifeBook 2014 - Do the assignments.


I am now linking up to two blogs on Fridays. The first is Nina Marie's Off the Wall Fridays and the second is Free Motion Mavericks.

WIP - Shell Collection and Tree Serenade

This week I focused on two projects. The first was a redo of "Tree Serenade." The second project was work on my "Shell Collection" piece.

"Tree Serenade"
AFTER the Redo

"Tree Serenade"
BEFORE the Redo

I presented "Tree Serenade" to a private on-line critique group that I belong to. I asked the question "Is it finished?" Most felt that the white section kept it from being finished and was unsettling. The consensus was that it needed green, perhaps leaves to break it up. I spent a full studio day creating and placing leaves around the white (sky). The result was, frankly, horrible. The uneven edging just didn't jive with the rest of the straight line piecing. The following day I removed the leaves and changed out the binding, substituting green for the original white. This, at least provided an finished edge for the sky. I also, appliquéd a cardinal in the middle of the piece, nestling it in amongst the leaves. This helps draw the eye from white on the left and to the quilt's center.

Detail from "Tree Serenade"
Cardinal Nestling in the Leaves

 The flowing lines quilting patterns, that I have been practicing thanks to Leah Day's assignments, are perfect for my series of blocks for "Shell Collections." In the snail blocks, I modified the filler of the pattern to be spirals in order to reference the snails.

Two Snails Block
To Be Included in "Shell Collection"

My Current WIP

Last week I focused on flowers and how they have a way of appearing in my work. So it should come as no surprise that my current WIP (Work In Progress) is based on my new hibiscus plant.

I could have recreated the picture or a detail from the picture, but I prefer to give a sense of the image - an artist's impression. I am naturally drawn to value changes, light and shadow as well as positive and negative space. My first step was to select green fabrics from my collection to use as a background and for the leaves. Next I hunted through my hand dyes to find a coral/pink fabric with sufficient contrast to show up against the greens. 

I used my photo to trace the shape of the hibiscus flower, but opted to draw my leaves free hand. Although I've been making art quilts for over a decade, I still love the process and appearance of pieced blocks. So, that is what I did for the background. What gives them the artistic flair and makes it hard to distinguish the blocks is how I randomly piece the fabric, busting through the concept of using dark fabrics consistently in one section of the block and light in others.

The next step is to add thread. I will quilt the background and enhance the hibiscus and leaves with thread painting. The final step will be to add french knots at the end of my thread painted stamens.